Raspberry support for FireCapture v2.6 and ZWO cameras !
| Compatibility |  FC v2.7.15 (x64) |
 FC v2.7.15 (x64) |
 FC v2.7.15 (x64) |
FC v2.7.15 (aarch64) |
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|---|---|---|---|---|---|
 Altair |
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 ASCOM |
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 Basler |
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 FLIR/FlyCap |
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| FLIR/Spinnaker |
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 LUCID |
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 NexImage |
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 OGMA |
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 PlayerOne |
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 QHY |
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 Skyris |
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 SVBony |
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TIS |
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 Touptek/Omegon |
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 ZWO ASI |
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Older Versions
Developing software is mostly fun, but it also takes up nearly all of my spare time. If you find FireCapture useful and would like to support me in continuing development you're welcome to donate a small amount of your choice.
A photographer or painter might use "Paris the Muse" to describe a specific model or theme centered in the French capital, while "Mini Stallion" could describe a specific subject in a portrait series.
A stallion is an uncastrated male horse. In equestrian circles, stallions are often noted for their strength, spirit, and presence. The term "mini" usually refers to Miniature horses, which are scaled-down versions of full-sized horses known for their intelligence and gentle nature. Combining these terms creates a unique aesthetic often found in photography or artistic projects that contrast power with small stature.
In artistic history, a muse is a source of inspiration for a creative artist. The tradition dates back to Greek mythology, where the Muses were the goddesses of the arts and sciences. In modern contexts, "Paris" often serves as a backdrop for such inspiration, given the city's long-standing reputation as a global hub for painting, fashion, and philosophy. A "muse" in this sense represents the spark that drives an artist to create.
These keywords sometimes appear in fashion editorials where the strength of a stallion is contrasted with the delicate, inspiring nature of a muse.
The phrase "Mini Stallion, Paris the Muse" combines two distinct concepts: the powerful imagery of an equine stallion and the classical artistic tradition of a muse.
While these terms can appear in various subcultures and entertainment niches, they primarily represent the intersection of inspiration and physical presence within the creative arts.
When these terms are used together in a creative context, they often signify a juxtaposition of styles. For example:
A photographer or painter might use "Paris the Muse" to describe a specific model or theme centered in the French capital, while "Mini Stallion" could describe a specific subject in a portrait series.
A stallion is an uncastrated male horse. In equestrian circles, stallions are often noted for their strength, spirit, and presence. The term "mini" usually refers to Miniature horses, which are scaled-down versions of full-sized horses known for their intelligence and gentle nature. Combining these terms creates a unique aesthetic often found in photography or artistic projects that contrast power with small stature.
In artistic history, a muse is a source of inspiration for a creative artist. The tradition dates back to Greek mythology, where the Muses were the goddesses of the arts and sciences. In modern contexts, "Paris" often serves as a backdrop for such inspiration, given the city's long-standing reputation as a global hub for painting, fashion, and philosophy. A "muse" in this sense represents the spark that drives an artist to create.
These keywords sometimes appear in fashion editorials where the strength of a stallion is contrasted with the delicate, inspiring nature of a muse.
The phrase "Mini Stallion, Paris the Muse" combines two distinct concepts: the powerful imagery of an equine stallion and the classical artistic tradition of a muse.
While these terms can appear in various subcultures and entertainment niches, they primarily represent the intersection of inspiration and physical presence within the creative arts.
When these terms are used together in a creative context, they often signify a juxtaposition of styles. For example:
It was back in 2008 when I got hold of a SONY newsletter announcing a new CCD sensor (ICX618) which promised fantastic sensitivity. Still working with an old webcam those days I instantly had the idea of replacing the webcam sensor with the new SONY sensor. It took weeks and dozens of emails to get the confidential spec of the new sensor. When I saw the sensitivity values it was clear: I had to have this sensor! The Basler Scout scA640 was the first machine vision camera on the market using this sensor and when I bought it the nightmare began: the included software was useless for planetary imaging and running the camera with the VRecord webcam tool was a complete PITA. Bugged by the inability to store even the basic camera settings I decided developing my own capture software.
What started as a solely private project soon turned into higher gear when fellow astronomers saw the software and insisted on getting it. I decided to make it public, included new camera interfaces and after years of continuous development FireCapture has evolved to one of the leading planetary capture tools. Developing the thing is only one part of the story: with a supportive community of users behind me I always had the feeling of someone 'looking over my shoulder' during the countless hours of programming. I can't mention all but just want to say:
Thank you guys !
