: Fischer notes that many scale books omit perfect fourths, yet they are vital for shaping the hand's intonation and preparing for works like unaccompanied Bach. Summary of Book Content
Fischer identifies several critical areas that often lead to tension or poor intonation in double-stop playing:
Unlike traditional scale books like Carl Flesch's, which present the final result (the complete scale) without guidance, Fischer’s breaks down every complex movement into its simplest components. simon fischer double stops pdf
For those looking for bite-sized insights, Simon Fischer frequently publishes PDFs of his "Basics" series in The Strad magazine. Many of these, such as "Intonation: testing, relating, comparing" and "Left hand: reaching back," directly support double-stop facility. Interview with Simon Fischer: Double Stops - Violinist.com
: Playing a double stop at the same volume as a single stop requires double the bow weight. Finding the exact "middle angle" between two strings is essential for even pressure. : Fischer notes that many scale books omit
Simon Fischer ’s approach to violin pedagogy has revolutionized how string players view technical mastery. His seminal work, , is not a mere collection of fingerings but a comprehensive "scale-study book" designed to dismantle the physical and mental barriers of playing two notes at once. Core Philosophy: The Scale-Study Method
: Thirds, sixths, octaves, fingered octaves, and tenths. Keys : All major and minor scales. Many of these, such as "Intonation: testing, relating,
: Each section (thirds, sixths, octaves, etc.) follows a logical progression.
: Exercises for shifting unequal distances, chromatic movements, and finger independence. Supplementary Resources